![]() He’ll also show you how to find an anchor point in your subject which will remain stationary throughout your shot. In this section, Ian covers the four types of camera motion that work best for hyperlapse photos and give you tips on how to perform these movements to get suitable results. Previously, such shots required the use of expensive equipment, but Ian shows you how to get the same results using nothing more than a smartphone. When camera motion is added to a time-lapse sequence the result is known as “hyperlapse” photography. Certain considerations will determine your settings during this phase, and Ian gives you some tips on aspect ratio, frame rate, and frame size to ensure that your project achieves an optimal balance between size and quality. ![]() Before you share your project with the world, you will first have to compile the images into a movie. ![]() Small tweaks to vibrance, contrast, and exposure can make your images leap off the screen with just a little bit of effort. Once you have your collection of time-lapse frames, it’s time to take them into Lightroom and do some basic adjustments.
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